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Some Kind of Hero: The Remarkable Story of the James Bond Films, by Matthew Field, Ajay Chowdhury
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The first biography of the making of the James Bond series, drawing on hundreds of unpublished interviews with the cast and crew
For over 50 years, Albert R. Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family-run business has been crowned with box office gold and recognized by motion picture academies around the world. However, it has not always been smooth sailing. Changing tax regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise while the rise of competing action heroes displaced Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Some Kind of Hero recounts this remarkable story, from its origins in the early 1960s right through to the present day, and draws on hundreds of unpublished interviews with the cast and crew of this iconic series.
- Sales Rank: #485220 in Books
- Published on: 2015-12-05
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 2.30" w x 6.25" l, .0 pounds
- Binding: Hardcover
- 704 pages
Review
"Authors Matthew Field and Ajay Chowdhury leave no Bond stone unturned." --Free Kittens Movie Guide, 1/2/2016
About the Author
Matthew Field is a film journalist with Cinema Retro magazine and an author, whose books include The Making of The Italian Job and Michael Caine: You’re a Big Man.�He was a consultant on the acclaimed James Bond documentary Everything or Nothing.�Ajay Chowdhury is an attorney and has given legal consultation on motion picture, music, publishing, television, and theatrical projects. He was the associate producer on two feature films and has contributed to numerous books on James Bond including Goldeneye: Where Bond Was Born—Ian Fleming and Jamaica. George Lazenby is an actor who played James Bond in the film On Her Majesty's Secret Service in 1969.
Most helpful customer reviews
9 of 11 people found the following review helpful.
As formulaic as the Bond movies themselves, but studded with memorable movie-making moments
By M.D.
The literary equivalent of binge-watching a James Bond movie marathon, Some Kind of Hero is, perhaps inevitably, as interesting as the Bond movies it reflects the making of, and occasionally plodding at the points where the series plods. Undeniably detailed and well-researched, it outlines the journey of Fleming's secret agent from print to film, in a different era both behind and in front of the camera. And it's as much the story of the films' famed production team of Broccoli and Saltzman as it is Bond's.
The plot twists and story beats, of changing actors and changing cinematic times keep the story moving forward, with enough what-might-have-been sprinkled through the tale to add some fresh notes for fans of the movies. Bond sets we learn, over and over, are very much family affairs. Connery, unsurprisingly, takes himself too seriously (painfully referring to himself as "one" rather than "I" in archive interviews), while Moore takes neither himself nor the films particularly seriously at all (as his entries into the series surely show). George Lazenby, ironically, may have the most interesting tale of all, and the authors have the access to tell it.
Where the book sags is where the series treads water. Despite attempting to scale hew closer to Fleming's vision for the character (something promised at some point by approximately 80% of the movies - the others, like Moonraker, shamelessly playing catch up with then-contemporary hits like Star Wars), late-era Roger Moore entries are documented as little more than locations scouted, title sequences shot, practical jokes played on Eon-family-atmosphere movie sets and movies premiered before assorted royal family members.
The authors may have an uphill job mining something interesting out of the making of these 80's movies, but (and this is my one big critique of Some Kind of Hero) a little more cultural context and movie criticism wouldn't hurt. Simon Winder's The Man Who Saved Britain - A Personal Journey into the Disturbing World of James Bond does a knock-out job of putting Fleming's books into the context of the Britain they sharply contrasted with. Some Kind of Hero provides a little of this -- the movies go from blockbuster-budgeted cartoon capers to more cost-conscious outings re-establishing the character on the shoulders of Pierce Brosnan -- but a little more unvarnished opinion would have nicely complemented the detailed and factual documentation. Individual scripts and productions may be described as have troubled journeys, but the authors seem unwilling to indicate much may be wrong with the finished product.
Of course, it may be the case that the target reader for this book has his (or her, but probably his) own strong opinion of each Bond movie, and little desire to reflect at much length on arguable flaws in, say, Quantum of Solace, Diamonds are Forever or Die Another Day.
As is, what's on offer is a fairly straight retelling, with a mixture of original and archived publicity interviews (where participants are inevitably "thrilled" to be part of the franchise), much detail on the nuts and bolts of Bond movie making, and an evident reverence towards the Broccoli family.
When not covering significant gear changes in the series, the coverage is a solid but little formulaic, much like the Bond series itself (who did the music, how the title sequence was shot, some unnecessarily long plot synopsis). But particularly when mining the nostalgia of the early Connery classics and the various ways ways in which the Bond movies themselves seem to bounce back from the peril of irrelevance, Some Kind of Hero offers several hours of escapist entertainment in a reassuringly familiar cinematic world.
3 of 3 people found the following review helpful.
TOP MARKS, 007
By READER
If you think there have been similar books before and you don’t need this one, you will want to think twice. This is the best in years, reinforced by positively surprising information on the world of the gentleman spy, leaving nothing to be desired.
The hardcover book with 600 pages for main text looks like a dictionary. If you have Kindle, the electronic version will be definitely better because you can carry it around without difficulty and Kindle’s search function will be a huge asset for a reference book like this. It comes with an index over 35 pages, but the word you want may not be in it, and you may not have an entire word for a clue. Yes, it is a book to which you want to keep coming back for specific information.
Written by two of the most reliable Bond authors who know what readers want, it lets you enjoy the best version of the cinematic icon’s history. Nobody could have done it better. They tried to make the details as accurate as possible in their power, but they show, in the preface, the decency of accepting corrections.
The book is a masterpiece of edutainment for readers in general as well. It gives many accounts of what happens in mega-scale movie production, how the franchise has stayed popular for more than 50 years, and what is not so easy behind the fantasy.
English is not enough. I hope the text will be published in other languages so that the book reaches a far bigger number of potential readers throughout the world.
3 of 3 people found the following review helpful.
This book gives some excellent details on how the films came to be
By chrome4545
This book gives some excellent details on how the films came to be. It also shows how persistent and patient Cubby Broccoli was in getting the right to make these films and the many compromises that had to me made along the way.
You also get a feel for the great talents that worked on the these films and many were promoted from within. I was happy to learn more about Derek Meddings and the miniatures he built.
You do get a lot of information about the working relationships between the key players but was a little disappointed that there wasn't more insight into the Dalton period. There was a bit like "on the last day of shooting tempers were frayed between Dalton and John Glen" be we are never told why.
And you get a look at excess( a million dollar volcano) and the strangeness of copyright/trademark laws --you write a tune you get royalties, you design the iconic 007 logo and you get 300 dollars.
A very enjoyable read.
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