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The History of Jazz, by Ted Gioia
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Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present.
Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.
- Sales Rank: #30791 in Books
- Brand: imusti
- Published on: 2011-05-09
- Released on: 2011-06-30
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 1.30" w x 9.20" l, 1.25 pounds
- Binding: Paperback
- 452 pages
Features
Review
"The best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century
"A remarkable piece of work... encyclopedic, discriminating, provocative, perceptive and eminently readable. ...If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my life."--Jonathan Yardley, The Washington Post
"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Village Voice
"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle
"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal
"A very detailed telling of the events occurring throughout the 20th century that led to the creation and growth of jazz. It makes for an informative and enjoyable reading experience for all who love the art form."--Horace Alexander Young, Washington State University
"An excellent, well-written text that makes the subject understandable and interesting."--Brian Q. Torff, Fairfield University
"Very well researched, easy to read but extremely articulate. Mr. Gioia has accomplished a seemingly difficult feat with great ease."--Wendel Werner, Roane State Community College
"A miracle of concision, Ted Gioia's History of Jazz fills the most conspicuous gap in the music's literature. Marshall Stearns published The Story of Jazz 40 years ago, and the need for a work that would update the story, while incorporating new research and insights, has long been apparent. Gioia does the job with polish, clarity, justice, and surprising completeness--it's the best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century (forthcoming from OUP in 1998)
"If you wanted to introduce someone to jazz with a single book, this would be a good choice."--Kirkus Reviews
"Gioia generously considers the obviously major players yet notes hundreds of other musicians, too, always with a perspicacity born out of his own working knowledge...and the literary fluency of the essayist whose Imperfect Art is one of the best younger critics' books."--Booklist
"[The History of Jazz] is a remarkable piece of work, not without its shortcomings or its invitations to argument but, withal, the definitive work: encyclopedic, discriminating, provocative, perceptive and eminently readable. With its publication, it can no longer be said that the literature of jazz falls far short of the music itself.... The sweep of Ted Gioia's narrative is grand, indeed helps us understand just how grand the story of jazz really is.... If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my life."--Jonathan Yardley, The Washington Post, Chosen as One of the 20 Best Books of the Year
"This well-researched, extensively annotated volume covers the major trends and personalities that have shaped jazz. The excellent bibliography and list of recommended listening make this a valuable purchase for libraries building a jazz collection."--Library Journal
"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Greg Tate, Village Voice
"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle
"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal
"An all-encompassing short history of the genre that has dominated 20th-century music."--he New York Times Book Review, A Notable Book of 1998
"...a masterful and fair-minded work" - The Misread City
"The mass of information is structured by a strong linear narrative and is carried along by Gioia's poetic turn of phrase. One of the best, and most even-handed, surveys of jazz and its literature." Financial Times
"For the past 25 years, author and teacher Ted Gioia has provided the most succinct and contemporary histories of America's native musics: blues and jazz. He has done this through his exceptional facility for taking all the previous literature, separating the wheat from the chaff, correcting the errors and myths, and burnishing a brand new shine on the music whole." --AllAboutJazz.com
About the Author
Ted Gioia is a musician, author, and leading jazz critic and expert on American music. The first edition of his The History of Jazz was selected as one of the twenty best books of the year in The Washington Post, and was chosen as a notable book of the year in The New York Times. He is also the author of Delta Blues, West Coast Jazz, Work Songs and The Birth (and Death) of the Cool.
Most helpful customer reviews
18 of 19 people found the following review helpful.
History book, listening guide, and musical style manual, all in one
By Eric Sedensky
Having taken up jazz as a hobby in my early forties, I've had a lot of catching up to do, not only from the standpoint of learning jazz and how to play it, but understanding what it is, where it came from, and where it is going so that I can make my jazz performances work within the context of the art form. This is not easy at my age (over 50 now) and meager talent level. I'm happy to say, though, that Ted Gioia's book. The History of Jazz, has really helped me fill in some gaps in my jazz education, so that I am once again inspired to continue my musical education, both as a player and a jazz writer.
Mr. Gioia's history is thorough and well thought through. Like any good history book, it follows the chronology of its subject matter faithfully, but what the author excels at is giving a taste of where the present or past will lead, as well as why and how it will get there. Then, when you reach the new material, the new artists, the new performers and the new types of jazz, you have a very real understanding of what happened, what had to happen, and who made it happen. I've often thought that a timeline showing the various artists' relationships to one another - who played with who, when, and for how long - would be one of the most constructive tools to understanding jazz (I even went so far as to begin constructing my own), and Mr. Gioia's book comes quite close to being a literal (if not visual) timeline very much along those lines. That's what really makes this book worth reading, but it doesn't stop there.
Of course, this book is about recorded music, and you can't understand any history of music without knowing the players, the songs, the albums, the performances, the venues, even minutiae like the producers and the hall owners, not to mention the life and culture of the times, to gain a full understanding of the music. Again, Mr. Gioia excels in this area and he gives the reader plenty of guidance on the recordings that will make the music, and its history, come to life. (One of the best guides in this department is the The Penguin Guide to Jazz Recordings: Eighth Edition, but that isn't a book you can just sit down and read.) If you're like me, however, and have assembled a modicum of historic jazz recordings, you will appreciate Mr. Gioia's guidance on what to listen to, given the historical context that he provides. Some of this is provided in liner notes of the actual recordings, and other publications, but in this increasingly digital age, serious students of jazz will appreciate the author's listening suggestions and background information. He even provides a unique "Discography" as an appendix, which more concisely outlines the most historic recordings, and the book's index provides enough insight and references to make it also workable as a "highlight guide".
And finally, there is the music. I couldn't think of a single musician that he may have excluded or a major story that may have been edited out. The good the bad and the ugly are covered with enough philosophical awareness to make the history real without overplaying the sordid aspects that many "poor us" jazz aficionados are wont to exaggerate. Sure the history of jazz is full of racism, drug use, and burn-brightly¬-and-burn-out-quickly musicians, but those aren't the things that define jazz to its practitioners and fans. This book is about understanding the music, not just its history, but what it meant as it developed, what it means now, and how it impacts the future of the genre. Even as I was reaching the end of the book, no sooner would I think of an artist or contributor whose name I hadn't read in the book yet, than Mr. Gioia would eventually touch on them. Even on the second last page, I was thinking "well, still no mention of African jazz" than Mr. Gioia covered Abdullah Ibrahim and his work. Truly, this is as thorough a history of jazz, right up to modern times, that any reader could want.
Mr. Gioia has written an exceptional book. If you were to force a complaint out of me, it would be that the author's sections and chapters are excessively long, leaving very little "rest" spaces between chapters and headings, forcing a casual reader (and even a less casual reader) to read through long sections to get to a logical break point, but when you are writing as thorough and detailed a work as this, it is a small price to pay for completeness and accuracy. Also, Mr. Gioia's writing is very high quality and his vocabulary extensive, and he uses both with precision and grace, or with audacity and spunk, as the narrative demands. There is always something interesting to find on the next page or in the next paragraph, making this a reading pleasure. I can't say enough about this five star book other than, I wish I had come across it earlier in my education.
2 of 2 people found the following review helpful.
A Great Place to Start for Aspring Students of Jazz History
By S. James
If you happen to be new to the subject of jazz history - as I was 17 years ago when I read the first edition of this book, in paperback - then this book is a very good place to start. Back then I had only a minimal knowledge of the big names and movements in jazz history, but I was very eager to expand my jazz knowledge beyond the "smooth jazz" that was ruling the airwaves at the time. This is a great deal of information and I learned so much the first time (and ended up buying a lot of great CDs as a result), but many of the names and their stories went over my head. Also, logistically the paperback version features large pages, very long chapters, and small print. So it was very challenging to read when there wasn't much "white space".
Fast forward 17 years, to the second edition (on my Kindle, so I can adjust the print size), and on the second swipe of this book the pieces began to fall in to place. This is not a quick, easy read and when the author mentions styles of music and cites specific songs - you just want the book to jump out and start playing these songs! I heard spotify is a good way to do this but it would take months to finish the book if you tried to hear everything. The best "sound" companion to this would be the Ken Burns "Jazz" documentary from 2000, which I have watched several times. It's not completely comprehensive, that would take five times as long, but you can hear a lot of the styles and learn some of the basics. Then you can start enjoying America's greatest contribution to music. And you'll have your favorites as I do: Billie Holiday (what's my dog's name?), Miles Davis, Duke Ellington, Thelonius Monk, Ella Fitzgerald, and so many more...
1 of 1 people found the following review helpful.
Only if You Must
By sue
How in the world do you rate this book?! Look, Gioia knows his stuff, and there is no arguing that, but his writing is unwelcoming and cumbersome. Jazzers love Gioia for the knowledge content, but entire pages will just be names without details, and his chronology is confusing. History doesn't have to be taught or explained in the order it happened, but a writer has to make things clear for the reader.
Another big turnoff is that the author is critical of certain musicians early in the book, but either he doesn't give reasons, or his reasons are blatantly subjective. Gioia almost seems argumentative and smug, but he is a must-have author if you are seriously studying jazz. Try to get it cheap or from a library if you just need it for one class, because I regret buying it new.
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