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Theatre/Archaeology, by Mike Pearson, Michael Shanks
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Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
- Sales Rank: #2482890 in Books
- Published on: 2001-04-29
- Released on: 2001-03-22
- Original language: English
- Number of items: 1
- Dimensions: 9.61" h x .54" w x 6.69" l, 1.10 pounds
- Binding: Paperback
- 236 pages
Review
An extremely influential book..
–Julian Thomas, Univesity of Manchester
Fascinating and ground-breaking..
–Elin Diamond, Rutgers University
Together they have a written a wonderfully evocative book, tracing the evolving dialogue between them as they explored what each discipline had to offer the other, leading eventually to the elaboration of the common project they call 'theatre/archaeology'. The book is a fascinating intermingling of different narratives (artistic, intellectual, autobiographical) and discourses (scholarly, polemical, visionary), and it begins at the end, which is of course a new beginning, with the outline of the academic programs that have emerged from their interdisciplinary collaboration.
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–Gay McAuley, University of Sydney
The authors provide brilliant insights into the practice of site-specific performance, and their book makes a major contribution to the discipline of performance studies through its elaboration of concepts such as the deep map, the sensorium, second-order performance as a mode of performance documentation, and more generally, in the seriousness with which it addresses the task of documenting performance. A brilliant and imaginative cross-disciplinary collaboration, Pearson and Shanks have provided analytical concepts and an intellectual framework that can be applied to many different performance genres.
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–Gay McAuley, University of Sydney
About the Author
Mike Pearson is Professor of Performance Studies in the Department of Theatre, Film and Television at the University of Wales, Aberystwyth. From 1981-1997 he was Artistic Director of the Welsh theatre company Brith Gof (whose work was featured in Site-Specific Art, (2000)). Michael Shanks is Professor of Classics and Cultural Anthropology at Stanford University. He is one of the world's foremost archaeological thinkers, and author of many works including Experiencing the Past, Classical Archaeology of Greece (1996), and Art and the Greek City State (1999).
Most helpful customer reviews
0 of 0 people found the following review helpful.
deep maps in urban and rural landscape narratives
By LitCrit101
An intriguing contemporary account of landscape narratives and performance and an interesting look at how Deep Maps can provide a framework for narratives and performance. It will inspire readers to get out their walking shoes and discover the palimpsests of their own neighborhoods and favorite places. For anyone looking for interesting ideas for a theatre or conceptual arts project, this will be a stimulating read
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